Your Inner Reader!

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You don’t have to be a graduate-level writing instructor or a New York Times best-selling author to know that the secret to good writing it reading!

Here are some suggestions from Greg Crowles to “How to Tap Your Inner Reader:”

Studies suggest all kinds of benefits to reading, including increased empathy, stress reduction and memory retention. It can even curb your criminal instincts, according to some researchers, although my family might have their doubts about me.

But if you’re a reader, you probably love books not because they lower your cholesterol but because they bring you joy. Reading is, ideally, a leisure activity: the kind of thing you can devote an afternoon to while dinner is bubbling in the slow cooker and the cat is curled at your feet and you slouch in an armchair like a teenager (hey, maybe you are a teenager) losing yourself in a world somebody else has imagined into being. Reading a book is a form of communication because you’re communing: The writer speaks, the reader listens, and somewhere along the way you achieve a real intimacy, of a sort. That’s magical.

But leisure activities require leisure time, and who’s got that? Let’s face it, the afternoon in the armchair probably isn’t happening, even if somebody else takes care of dinner. Finding time to read generally means making time to read, and that means making it a priority. If you can incorporate the gym into your regular routine, you can incorporate quality time with a book too.

Want more? You can read it here.

2019 NHA Writers Panel

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Ever wanted to write a book?  Do you think you can be the next Tom Clancy or Stephen Coonts?  Or, do you have a story to tell about flying your experience as a Naval Aviator?  Here’s your chance to pick the brains of four successful authors: George Galdorisi, Marc Liebman, Barbara Marriott and Matt Vernon, all fellow Naval Aviators and helo bubbas (or in Barbara’s case, a helo bubba’s spouse).  As a group, they’ve written three dozen books, including fiction and non-fiction and countless articles for a wide-range of publications. They’ve worked with large and small publishers, agents and even helped launch a publishing firm.  Remember, if you don’t tell your stories, who will?  Come get the gouge on getting published.

Deadly Reviews

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Since my primary passion is writing, I tend to hang out with other writers. We share our aspirations and ideas, hopes and fears.

I don’t know any writing friend – or any writer for that matter – who doesn’t fear a bad review of his or her book. Negative reviews cut like a knife.

That’s why I was cheered by a recent New York Times article revealing that books we admire – FAMOUS BOOKS – soared in spite of scalding reviews.

That should give us all a confidence that in spite of a negative review on Amazon or Good Reads we should KEEP WRITING.

This is just a snippet. Want more? You can read the reviews of these books here

Creating Tomorrow’s World

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We all want to know what the future will hold. While no one can really know, there is mounting evidence that writers of speculative fiction may have unique insights into the future.

As a writer, I know this because I read a great deal of speculative fiction and it feeds my writing efforts.

That’s why I was drawn to a recent article, “When Sci-Fi Comes True.” Here is a short excerpt. It will make you think:

Maybe because we’re living in a dystopia, it feels as if we’ve become obsessed with prophecy of late.

In “The Dreams Our Stuff Is Made Of: How Science Fiction Conquered the World,” Thomas Disch calls this relay between fiction and reality “creative visualization.” Businesses have started to co-opt it. The designers of the iPhone and the Kindle cite works of science fiction as inspiration. Boeing, Nike, Ford and Intel have hired prototyping, future-casting or world-building ventures for product development. As the author Brian Merchant put it on Medium recently, these companies “do what science fiction has always done — build rich speculative worlds, describe that world’s bounty and perils, and, finally, envision how that future might fall to pieces.” This is “speculative” fiction in the financial sense, too, a new way to gamble on futures.

The irony — or the proof — of this brave new business model is that sci-fi saw it coming. Dystopias have long portrayed artists being drafted into nefarious corporate labor. In “Blade Runner 2049,” for instance, the Wallace Corporation sets a woman the task of crafting memories — not for characters in a novel, but for androids.

It’s a touch self-congratulatory for sci-fi creators to imply that they’re the unacknowledged designers of the world. But they do seem to have a knack for innovation. The genre has predicted satellite communication, army tanks, tablets, submarines, psychotropic pills, bionic limbs, CCTV, electric cars and video calling. You can find dozens more examples of sci-fi-minted gadgetry on the internet, which is itself a prime example of the phenomenon. The word “cyberspace” first appeared in the cyberpunk novel “Neuromancer” (1984), to describe “a consensual hallucination …. A graphic representation of data abstracted from the banks of every computer in the human system.” Its author, William Gibson, is our Nostradamus: His novels have prophesied reality television, viral marketing and nanotechnology.

Want more? You can read it here

Creative Juices

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Most people who are involved in creative endeavors are always looking for ways to be MORE creative. I know I am.

That’s why I was drawn to a series of New York Times “Better Living Guides” focused specifically on ways to become more creative.

The link below takes you to five different ideas regarding how to ignite more creativity. I was particularly taken by one that suggests, “Take a Nap.” Here’s how it begins:

So many wonderful scientific experiments have been done to show us the value of downtime for creativity, memory and learning. One of my favorites involves what happens inside the brains of rats when they are constantly stimulated.

In the experiment, done at the University of California at San Francisco, brain activity was measured in rats when they have a new experience. The researchers put the rat on a table, and could see that the rat developed a brain signal associated with a new experience. (It turns out, a new experience for a rat, like being set down on a table the rat has never been on before, can be fairly exciting.) Then, the researchers added a twist by dividing the subject rats into two groups. One group of rats was immediately subjected to another new experience (look, new table!), while another was given downtime.

In the rats that got downtime, researchers could see the brain activity move into a part of the brain called the hippocampus, which is associated with learning and memory. That didn’t happen with the rats that had a second new experience. When they were stimulated with a second new experience, they, in effect, had less of an ability to process what they’d already experienced. This is one experiment of many that show how crucial it is to let your brain go lax, to give it time and space. Think of your brain as if it were someone you’re in a relationship with; sometimes, it needs to have some alone time. This is just a snippet. Want more? You can read all five articles here

Reading and Writing

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While there is a massive amount of good writing advice from multiple sources, if there is one that is routinely at the top of every “advice” list, it’s: “Every good writer is a reader.”

Great advice, but it’s often packaged in ways that don’t always resonate. That’s why I was drawn in by a recent piece, “How to Tap Your Inner Reader.” Here’s how it began:

Studies suggest all kinds of benefits to reading, including increased empathy, stress reduction and memory retention. It can even curb your criminal instincts, according to some researchers, although my family might have their doubts about me. 

But if you’re a reader, you probably love books not because they lower your cholesterol but because they bring you joy. Reading is, ideally, a leisure activity: the kind of thing you can devote an afternoon to while dinner is bubbling in the slow cooker and the cat is curled at your feet and you slouch in an armchair like a teenager (hey, maybe you are a teenager) losing yourself in a world somebody else has imagined into being. Reading a book is a form of communication because you’re communing: The writer speaks, the reader listens, and somewhere along the way you achieve a real intimacy, of a sort. That’s magical. 

But leisure activities require leisure time, and who’s got that? Let’s face it; the afternoon in the armchair probably isn’t happening, even if somebody else takes care of dinner. Finding time to read generally means making time to read, and that means making it a priority. If you can incorporate the gym into your regular routine, you can incorporate quality time with a book too.  Want more? You can read it here

Better Prose

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Whether you write at work, at home, as a hobby, whatever, you likely welcome tips on how to improve what you write. It’s human nature.

That’s why I was struck by a recent review of a book, “Dreyer’s English.” The review had the intriguing title, “Flossing Your Prose.” Here’s how it began:

I spy a trend: copy editors’ memoirs-cum-style guides. Four years ago, Mary Norris—a longtime copy editor for the New Yorker—published the splendid “Between You & Me: Confessions of a Comma Queen.” Now comes the copy chief at Random House with the rather more grand-sounding “Dreyer’s English.”

I hasten to say that the grandness of Benjamin Dreyer’s title is at least half ironic and self-deprecating, as is his subtitle: “An Utterly Correct Guide to Clarity and Style.” But the name of the book does accurately reflect its difference from Ms. Norris’s. Hers is three-quarters memoir, one-quarter guide, and his is roughly the opposite ratio.

And accordingly, Mr. Dreyer has a lot of useful information to impart. In the first sentence of this review, he guided me to lower-case the “c” in the word following the colon; write “editors’ ” rather than “editors” or “editors’s” (or, heaven forbid, “editor’s”); and use “cum” (Latin for “with”) to indicate a thing with two identities, without italics or fear of offending anyone’s sensibilities.

Writing in such an utterly correct way feels good, I must say. It reminds me of something Mr. Dreyer quotes an author friend as saying—being well copy-edited is like getting “a really thorough teeth cleaning.” The result may come off as just a trifle stilted, but I’m in sympathy with what Mr. Dreyer writes later on: “There’s a certain tautness in slightly stilted prose that I find almost viscerally thrilling.” (That post-colon “There’s” gets capitalized because it kicks off a complete sentence.) Want more? You can read it here

A Novel in No Time

Books George Galdorisi

No time to write? Sure there is. With all the technology at our command we can write where we’ve never been able to do so before.

One piece by Kit Eaton helped pull all that together for me…it was even inspiring! Here’s how he began:

It used to be that when a moment of inspiration struck writers, they would have to rush over to a stone tablet, or find parchment and ink, to record their thoughts. Later, writers had to find paper and a typewriter, or a laptop or desktop computer, to get busy with their storytelling.

Nowadays, they can write into a smartphone and tablet app almost anywhere when an idea seizes them. So what are some of the popular apps for scribes?

Storyist is the writing app I use most often to write this column, books and other articles. The app is a full-featured text editor, giving people the ability to customize fonts, colors and page formatting, embed images, and more. The app also has predesigned page formats to help write screenplays, manuscripts and novels.

To help build a novel, Storyist provides different types of “story sheets” to work on. You can use the sheets to note information about characters, plot points, scene settings and other details. This part of the app is surprisingly powerful, and I have found that the preformatted sections of the story sheets (for example, the Smells heading under the Settings story sheet) help me think about characters and scene settings.

Want more? You can read it here.

A Novel in No Time

Books George Galdorisi

No time to write? Sure there is. With all the technology at our command we can write where we’ve never been able to do so before.

One piece by Kit Eaton helped pull all that together for me…it was even inspiring! Here’s how he began:

It used to be that when a moment of inspiration struck writers, they would have to rush over to a stone tablet, or find parchment and ink, to record their thoughts. Later, writers had to find paper and a typewriter, or a laptop or desktop computer, to get busy with their storytelling.

Nowadays, they can write into a smartphone and tablet app almost anywhere when an idea seizes them. So what are some of the popular apps for scribes?

Storyist is the writing app I use most often to write this column, books and other articles. The app is a full-featured text editor, giving people the ability to customize fonts, colors and page formatting, embed images, and more. The app also has predesigned page formats to help write screenplays, manuscripts and novels.

To help build a novel, Storyist provides different types of “story sheets” to work on. You can use the sheets to note information about characters, plot points, scene settings and other details. This part of the app is surprisingly powerful, and I have found that the preformatted sections of the story sheets (for example, the Smells heading under the Settings story sheet) help me think about characters and scene settings.

Want more? You can read it here

Too Many “Coders”

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Who hasn’t heard the refrain: We need to prepare for a tech future. We need to do more STEM in the classroom. We need to teach our kids to code. That all may be true…up to a point.

But perhaps we’ve gone too far. Maybe we need to train people to be…well…people, and to WRITE. Here’s how a great article, “Aristotle’s Wrongful Death,” begins:

History is on the ebb. Philosophy is on the ropes. And comparative literature? Please. It’s an intellectual heirloom: cherished by those who can afford such baubles but disposable in the eyes of others.

I’m talking about college majors, and talk about college majors is loud and contentious these days. There’s concern about whether schools are offering the right ones. There are questions about whether colleges should be emphasizing them at all. How does a deep dive into the classics abet a successful leap into the contemporary job market? Should an ambitious examination of English literature come at the cost of acquiring fluency in coding, digital marketing and the like?

The Chronicle of Higher Education published a special report that delved into this debate. One of the stories described what was happening at the flagship campus of the University of Illinois and at Assumption College in Worcester, Mass., casting these developments as different harbingers for higher education.

Illinois is pairing certain majors in the liberal arts — for example, anthropology and linguistics — with computer science. Assumption is doing away with a host of traditional majors in favor of new ones geared to practical skills. Goodbye, art history, geography and, yes, classics. Hello, data analytics, actuarial science and concentrations in physical and occupational therapy.

Assumption is hardly an outlier. Last year the University of Wisconsin at Superior announced that it was suspending nine majors, including sociology and political science, and warned that there might be additional cuts. The University of Wisconsin at Stevens Point recently proposed dropping 13 majors, including philosophy and English, to make room for programs with “clear career pathways.”

While these schools are swapping out certain majors for others, some higher education leaders are asking whether such devotion to a single field of study — and whether a college experience structured around that — are the right way to go.

Want more? You can read it here